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the-marxist-mash:

greenmossloveisreal1998iloveyou:

newurl69:

greenmossloveisreal1998iloveyou:

any Catholics online ? I got some questions.

Yeah I’m catholic whatsup

how do i reach heaven through violence

Its called a crusade and you need to get the Pope’s permission first

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stutterhug:

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Eager Pupil.

Tapastic. Twitter.

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catchymemes:

Credit: @juliehangart

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365filmsbyauroranocte:

Booksmart (Olivia Wilde, 2019)

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fashiontimeless:

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Nadja Auermann and Claudia Schiffer for Blumarine, 1994

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lipstickandapplejuice:

lipstickandapplejuice:

remember being an eleven year old girl and being filled with rage? everything i did was from a place in my head where tiny daydream me was smashing plates.

eleven year old me at a sleepover: how about instead of talking about boys we go to the park and like idk play some sort of game where we fight eachother with swords to the death

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sunfortune:

mermaidharryau:

you say ‘what’s up?’, we say ‘VAS HAPPENIN?’ you say mcdonalds, we say NANDO’S. you say the beach, we say MALABAMI. you say junk food, we say CARROTS.  you say a pigeon, we say KEVIN! you say spoons, we say NO WAY! we are love. we are one. we are directioners <3

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xaviersboner:

microtear:

mountaindulcimer:

Apple spider

Vinegar

Boots with the fur

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tonguebreaks-archive:

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Catherine Opie, from “Domestic" series, 1995-1998.

In 1998 Catherine Opie embarked (along with her dog) on a “great American road trip.” Over three months she completed a 9,000-mile journey across the United States photographing lesbian families and couples in their home environments. The resulting series of photographs titled Domestic (1995–98) presents these families involved in everyday household activities: relaxing in their backyard, hanging out in their kitchen, or playing with their children. There is no sensationalism here. These intimate photographs speak both to Opie’s identification with her subjects and to the overwhelming absence of such images in mainstream representations.

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gentlepeople:

the beach boys were right. it would be nice

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tokyo-fashion:

Tokyo based jewelry designer Tsumire and her 4-year-old daughter Ivy at Bunka Fashion College in Tokyo wearing mostly vintage fashion along with Ivy’s Verdy x Puchu monster backpack and Teg Teg sweatshirt. Full Look

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hollyblueagate:

chlstarrbaby:

thekingmickey:

dimetrodone:

hollyblueagate:

zagreus:

hollyblueagate:

“if goofy is a dog and pluto is a dog why is one a pet” is the cartoon equivalent of “if man evolved from monkeys why are there still monkeys”

The implication that Goofy is just a more advanced stage in canine evolution is oddly terrifying somehow

theres no such thing as ‘more advance’ in evolution. a dogman isnt more evolved than a dog, just as you are no more evolved than an seagull or coral, they are just fitted for different environments and have evolved as such

Goofy is not more evolved the Pluto, Goofy just fills a different ecological niche. While Pluto is just a scavenger and Goofy is an apex predator both play important roles in the ecosystem.

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Originally posted by kevinarsenault

Goofy’s a domestic dog, Pluto is a real one.

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“Why me? I’m domesticated!” is the deepest rabbit hole of a line in the entire disney canon

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sunotes:

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marioincandenza:

moisturiser:

adulthood be like: *washes dishes* *puts away dishes* *washes dishes* *puts away dishes* *washes dishes* *puts away dishes* *washes dishes* *puts away dishes* *wash

#wish my roommates could read this

Pagination
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